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Shaw wrote that Monroe "enjoyed the whole experience more than anyone even more than the man below at the wind machine." The scene was reshot in a Los Angeles sound studio where Shaw had control over wind and lighting "without thousands of onlookers." The blowing skirt shot became the key ad image for the film

I tried to get him to do it again, trying theirs first, but he wanted no part of it

The Defined Waist and Flowing Skirt The fit and flare works by creating contrast between a fitted top and a flowing bottom

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