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the editorial method and performance practice
was left incomplete
For the first public performance of the work in London in 1732
When Queen Caroline
thus guaranteeing authentic performances
Mozart: Benedictus sit Deus, K. 117 (66a=47b) Format:Organ the editorial method and performanceComposer: Wolfgang Amadeus Mozart (1756 1791) Editor: Hellmut Federhofer Instrumentation: SATB Choir, Soprano, Orchestra Work: Benedictus sit Deus, K. 117 (66a=47b) Binding: Work Language: Latin ISMN: 9790006458905 Size: 7. 5 x 10. 6 inches Pages: 16 Urtext Critical Edition Description According to recent research, the offertory "Benedictus sit Deus", K. 117 (66a) is identical to the "Offertory", K. 47b that was deemed lost. It was intended for the
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